Thursday, August 29, 2019
Relationship with His Father Essay
My Father Thought It: Armitageââ¬â¢s Childhood and Relationship with His Father BY nour300 The poet narrates a true experience with his own father from when he was a teenager. In the final stanza the poet looks back, aged twenty nineââ¬â¢. The poet marks the time shift by shifting from past into present tense. This poem is a nostalgic look back at a defining moment from Armitageââ¬â¢s childhood, his relationship with his father and how he feels about it now. From the first words of the title, ââ¬ËMy fatherââ¬â¢ shows that Armitageââ¬â¢s memory of his childhood, like the poem is dominated, looked over, by his father. The effect is intensified by the fact that the words ââ¬Ëmy fatherââ¬â¢ are repeated in the first line. As a teenager, the poetââ¬â¢s father is an authority figure. Armitage calls him fatherââ¬â¢ which is formal and seems distant, commanding respect. However, his father uses colloquial language ââ¬Ëlost your headââ¬â¢ ââ¬Ëeasily ledââ¬â¢. These proverbial phrases are judgemental and donââ¬â¢t show real communication, which adds to the sense of distance. However, his son can almost read his fatherââ¬â¢s thoughts, which suggests a kind of closeness: ââ¬Ëmy father thought it bloody queerââ¬â¢. loody queerââ¬â¢ canââ¬â¢t be the way the poet would describe himself, as it seems too harsh and violent. It seems to fit with the colloquial, Judgemental phrases that his father uses. The poet is close enough to his father to be able to ââ¬Ëbecomeââ¬â¢ him ââ¬â for these lines in the poem. ââ¬Ëqueerââ¬â¢ is used to condemn something that d oesnââ¬â¢t conform. The whole poem is about rebellion. The first stanza has a regular rhyme scheme with aabbb; however in the second stanza, the rhyme scheme starts to break down and seems irregular. This echoes the breakdown in authority or control as the poet rebels. In the final stanza, a kind of balance or compromise is reached, the first and last lines rhyme together (1 2, 15), but the middle two are free, or unrhymed (13,14). The words ââ¬Ësleptââ¬â¢ and Weptââ¬â¢ are rhymed, with Weptââ¬â¢ in a prominent position at the end of the stanza, which is also emphasised by the alliteration with wounds. Normally women weep, which contrasts with the manly rite of passage involving pain and a wound. I tââ¬â¢s as it the body is weeping tor the tact heââ¬â¢s injured it, the loss ot childhood and is a strange contrast to the violent, distant relationship.
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